THE ETERNAL DAUGHTER Review: Hogg’s latest exploration of mother-daughter relationships
Joanna Hogg fans will be more forgiving than most while watching The Eternal Daughter, the kind ofself-analytical autobiographical film in which the director’s avatar comes...
THE SON Review: French playwright-turned-film director Florian Zeller returns
After his well-received debut The Father, which netted Anthony Hopkins an unexpected second Best Actor Oscar, French playwright-turned-film director Florian Zeller returns with The Son,...
BLONDE Review: Ana De Armas and her pseudo biopic film
At the top of the copyright page of Joyce Carol Oates’ novel Blonde is the following statement: “Blonde should be read solely as a work...