THE ETERNAL DAUGHTER Review: Hogg’s latest exploration of mother-daughter relationships
Joanna Hogg fans will be more forgiving than most while watching The Eternal Daughter, the kind ofself-analytical autobiographical film in which the director’s avatar comes...
THE SON Review: French playwright-turned-film director Florian Zeller returns
After his well-received debut The Father, which netted Anthony Hopkins an unexpected second Best Actor Oscar, French playwright-turned-film director Florian Zeller returns with The Son,...
BLONDE Review: Ana De Armas and her pseudo biopic film
At the top of the copyright page of Joyce Carol Oates’ novel Blonde is the following statement: “Blonde should be read solely as a work...
VENICE 79 REVIEW: “Padre Pio” by Abel Ferrara
What are we to make of the mess that is Abel Ferrara’s Padre Pio? Linking those two names is already bizarre, and yet Ferrara appears...
VENICE 79 REVIEW: “Bones And All” by Luca Gadagnino
Cannibalism as a metaphor for queerness in its most allembracing form is the basis for Bones and All Luca Guadagnino’s love-fused exploration of outsider angst...
Hugo Cabret Review: Martin Scorsese leaves his mean streets behind for this exhilarating family tale
Martin Scorsese leaves his mean streets behind for this exhilarating family tale inspired by the birth of cinema. The families we most associate with Martin Scorsese are...